Local Theatres
A Grand History The Grand Theatre, Wolverhampton opened
its doors on 10th December
1894. It was not the towns
first theatre but it has outlived all its rivals, which included the Star
Theatre in Bilston Street, The Empire Palace, and later the Hippodrome. The driving force behind the Theatre in
the early stages was Alderman C.T.Mander who was mayor at that time.
Together with 6 other people, he set about assembling a top class team of
craftsmen and builders, using local talent wherever possible. It was designed by architect Charles J
Phipps, and incorporated 4 shops on either side of the main entrance. Wolverhampton builder Henry Gough
carried out the construction work which cost £10.000. It was completed in just 6 months from
when the foundation stone was laid on 28th June 1894. Today the Grand is regarded as one of
Phipps greatest achievements, and the furnishings were just as impressive
as the exterior. The Cream and Claret decoration, and the gold fixtures
must have been quite breathtaking.
The capacity then was 2151, with the seating being segregated by
class, the dress circle reserved for the gentry, and the lower classes if they
could get in were placed in the Upper Circle. The whole theatre was lit by
electricity; except for the stage and the opening show was performed by the
D’Oyly Carte Opera Company and was titled “Utopia Limited”. The following years saw an unending array
of talent appearing on the stage including Sir Henry Berlin, and it was
said that Charles Chaplin was a call boy in 1902. Winston Churchill addressed the Budget League from the stage,
and Prime Minister David Lloyd George opened the governments Election
Campaign in 1909. Until the 1920’s the Grand was a
touring theatre, but during the recession this all changed and it became a
repertory theatre, which again saw some very famous names appearing
including Kenneth Moore, Peggy Mount, June Whitfield and Leonard
Rossiter. These names also included
Gwen Berryman who later became Doris Archer in the famous radio show. The second world war hit the theatre
badly, and shortages of materials meant that the shows became austere, and
difficult to fill the house. After
that time it was felt that the days of the rep were numbered, and a
production of South Pacific staring a very young Sean Connery did nothing
to swell the audiences. Television
was thought to be the problem, as nation-wide rep companies were
disbanding. The Grand took steps to
recover, the saw the return of touring companies again including Michael
Caine and Terrence Stamp appearing in “The Long the Short and The Tall”. Due to this the shareholders were
forced to sell-out to the local authority for £74,000 in 1969, and to
attract funding from the arts council the theatre was made into a
non-profit making trust, and it began to refurbish the theatre. Pantomime was always a success at the
Grand Theatre, and received numerous touring productions, but nevertheless
despite successful periods the Grand had to admit defeat and close its
doors in 1980. The public support
was tremendous and the night the theatre went “dark” a fighting fund was
started to re-open its doors. Working with the council, renovation work started, and a
subsidy was granted to enable the theatre to operate successfully. Improvements were made all-over the
theatre, and a reduction in seats to 1200 accommodated all new health &
safety regulations. A deaf loop system, ventilation and a more spacious
dress circle bar were installed.
1982 saw its doors finally open to the public again, and it was one
of the best equipped in the country, and a joy to all who played it, and
visited it. In December 1994 the Grand Theatre
celebrated its 100th Birthday with a performance from the D’Oyly
Carte Opera Group, who if you remember originally opened it 100 years
previously. This celebration offered new incentive to further improve the
theatre by improving access, installing lifts and updating facilities,
including restoring it to its original colour scheme first created by
Phipps. The successful application
to the National Lottery saw a funding of £8 million, and so further refurbishment
took place in 1998. Today, the grand is firmly established
as one of the country’s finest theatres, and continues to be a great
success story through to the new millennium.
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